
This is played in the key of. He chose to stay in standard tuning when playing in D. This enabled him to exploit one of his signature riffs — used also in Let Us Get Together. This is where, with a D7 chord, he descended on the base, from A to G to F# (A and low E strings) while ascending, from E to F to F# on the treble (high E string). He suggests the same kind of movement with the
following G7. By using three different D forms. The first position D7, the second position C form D major and the C7 form using his thumb to fret the two bottom strings, fifth fret, he manages to play subtle harmonies on the middle strings. This is an elegant, compact, gem-like arrangement.