
Another example of Rev. Davis' creative and precise melodic playing in the key of C. He establishes the melody and then improvises freely on it. It's important to note that Rev. Davis uses his left-hand thumb on the low fifth, the G note, third fret low E string to sort of anchor the C chord. It's there when he needs it for the G7 chord (with the middle voice seventh on the third fret, D string). This is apparently an original with no precedents.