
A popular Caribbean song, recorded by everyone from Harry Belafonte to the Bahamian Blind Blake Higgs and even Louis Farrakhan, back when he was recording calypso as the Charmer. Spence's arrangement uses the upper range of the guitar neck more than usual, but he does this by extending his usual shapes, and it is a good example of how he would adapt his church-oriented style to a popular calypso, with several improvisatory variations.