
The fingerings and pull offs are a little tricky, but the satisfying chromatic bass line that begins the tune as well as the classic chord progression make it well worth while. The bridge goes through a few key centers but it all comes beautifully back to the last section. I tried to put a few country blues moves in, like the E minor lick at the beginning of the bridge. I think country blues and classic jazz are good together and I try to combine the styles wherever I can. In my mind Blind Blake and Fats Waller are closely related.